ARE BLYTT

 

Are Blytt

Exhibition view, Galleri K, Oslo, Norway, 2020

 

 

Are Blytt

Exhibition view, WIELS Contemporary Art Centre, Brussels, Belgium, 2019

 

 

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

 

Are Blytt

Exhibition view, Galleri K, Oslo, Norway, 2020

 

 

UPCOMING PROJECTS

2020 Galerie Alber, solo exhibition, Cologne, Germany

2020 Enter Art Fair, w/ Galerie Alber, Copenhagen, Denmark

2021 Studio-garden Verrewinkel, studio residency, Brussels, Belgium

2021 Boghossian Foundation, Villa Empain studio residency, Brussels, Belgium

2021 Publication w/ Weinspach Publishing, Cologne, Germany

2021 Salon No. 16, Salon Verlag, Cologne, Germany

 

 

RECENT EXHIBITIONS

2020 Galleri K, solo exhibition, Oslo, Norway

2019 WIELS Contemporary Art Centre, The Project Room, solo exhibition, Brussels, Belgium

2019 Galerie Alber, duo exhibition, Cologne, Germany

2019 MLF | Marie-Laure Fleisch, duo exhibition with Dirk Stewen, Brussels, Belgium

2019 Blomqvist Auction House, group exhibition, Oslo, Norway

2018 Philipp von Rosen Galerie, group exhibition, Cologne, Germany

2018 Kunsthalle CCA Andratx, group exhibition, Andratx, Spain

2017 EIGHT PAINTINGS, solo exhibition at Galleri K, Oslo, Norway

 

 

TEXTS AND SELECTED PRESS

The Benefits of Bankruptcy, interview by Tom Lingnau, Weinspach Publishing, 2020, Cologne, Germany English

Exhibition essay by Arve Rød, Galleri K, 2020, Oslo, Norway Norsk

Exhibition essay by Lina Viste Grønli, Galleri K, 2020, Oslo, Norway English

Being, exhibition review by Espen Hauglid, Morgenbladet, 2020, Oslo, Norway Norsk

Being, book review by Øivind Storm Bjerke, Klassekampen, 2020, Oslo, Norway,  Norsk

Being, exhibition review by Kjetil Røed, Vårt Land, 2020, Oslo, Norway Norsk

Beautiful Wreck, exhibition review by Sofie Crabbé, HART Magazine, 2019, Brussels, Belgium Flemish

NÅR HIMMELEN KLARNER, Art Viewer, 2018, Antwerp, Belgium English

Exhibition essay by Erlend Hammer, Galleri K, 2017, Oslo, Norway English / Norsk

EIGHT PAINTINGS, interview by Charlotte Jansen, Elephant Magazine, 2017, London, UK English

 

 

CONTACT

For further information or studio related inquiries: info@areblytt.com

Galleri K – Oslo

Galerie Alber – Cologne

 

 

PUBLICATIONS

Are Blytt

BEING – EXHIBITION MONOGRAPH 2020

 

Are Blytt

EIGHT PAINTINGS – EXHIBITION MONOGRAPH 2017

 

AVAILABLE AT:

CURA MAGAZINE BOOKSTORE, ROME, ITALY

BERGEN KUNSTHALL BOOKSTORE, BERGEN, NORWAY

WIELS ART CENTRE BOOKSTORE, BRUSSELS, BELGIUM

MLF | MARIE-LAURE FLEISCH GALLERY, BRUSSELS, BELGIUM

GALLERI K, OSLO, NORWAY

GALERIE ALBER, COLOGNE, GERMANY

 

 

OTHER PROJECTS

Are Blytt

2019 Avenue x Are Blytt, Sensitive Human Being, runway show at Villa Stenersen,  Oslo, Norway

Avenue x Are Blytt, Document Journal, by Hannah Ongley, 2019, New York City, US English

Avenue x Are Blytt, Italian Vogue, by Riccardo Terzo, 2019, Milano, Italy Italian

 

 

SELECTED WORKS

Are Blytt

Hand #1 , 2020, acrylic paint on linen canvas, aluminium stretcher, 133 x 94 cm / 52,3 x 37 inches

 

 

Are Blytt

Double Kierkegaard, 2020, oil and pigment print on linen canvas, wooden stretcher, 140 x 100 cm / 55.1 x 39.3 inches

 

 

Are Blytt

Beginning of the End, 2020, acrylic on linen canvas, aluminium stretcher, 129 × 93 cm / 50.7 x 36.6 inches

 

 

Are Blytt

Closer, 2020, acrylic on linen canvas, aluminium stretcher, 126.5 × 94 cm / 49.8 x 37 inches

 

 

Are Blytt

Exhibition view, WIELS Contemporary Art Centre, Brussels, Belgium, 2019

 

 

Are Blytt

Exhibition view, WIELS Contemporary Art Centre, Brussels, Belgium, 2019

 

 

Are Blytt

For the First Time, 2019, acrylic paint on linen canvas, aluminium stretcher, 133 x 94 cm / 52,3 x 37 inches

 

 

Are Blytt

Mothers, 2019, acrylic paint on linen canvas, aluminium stretcher, 136 x 96 cm / 53,5 x 37,7 inches

 

 

Are Blytt

Sensitive, 2019, acrylic paint on linen canvas, aluminium stretcher, 133 x 93,5 cm / 52,3 x 36,8 inches

 

 

Are Blytt

Exhibition view, WIELS Contemporary Art Centre, Brussels, Belgium, 2019

 

 

Exhibition view, Galleri K, Oslo, Norway, 2020

 

 

Are Blytt

A Carafe Without Water, 2019, acrylic paint on linen canvas, nails, 155 x 110 cm / 61 x 43 inches

 

 

Are Blytt

Interrogatory Gaze, 2019, acrylic paint on linen canvas, nails, 155 x 110 cm / 61 x 43 inches

 

 

Are Blytt

The Perfect Drug, 2019, acrylic paint on linen canvas, nails, 155 x 110 cm / 61 x 43 inches

 

 

Are Blytt

Sober Experience, 2019, acrylic paint on linen canvas, nails, 155 x 110 cm / 61 x 43 inches

 

 

Are Blytt

Exhibition view, Galerie Alber, Cologne, Germany, 2019

 

 

Are Blytt

Exhibition view, Galerie Alber, Cologne, Germany, 2019

 

 

Are Blytt

No title I, 2019, pigment print on baryta paper, image 20 x 30 cm / 8 x 12 inches, frame 55 x 65 cm / 22 x 26 inches

 

 

Are Blytt

No title III, 2019, pigment print on baryta paper, image 20 x 30 cm / 8 x 12 inches, frame 55 x 65 cm / 22 x 26 inches

 

 

Are Blytt

No title VIII, 2019, pigment print on baryta paper, image 20 x 30 cm / 8 x 12 inches, frame 55 x 65 cm / 22 x 26 inches

 

 

Are Blytt

No title IV, 2019, pigment print on baryta paper, image 20 x 30 cm / 8 x 12 inches, frame 55 x 65 cm / 22 x 26 inches

 

 

Are Blytt

No title VI, 2019, pigment print on baryta paper, image 20 x 30 cm / 8 x 12 inches, frame 55 x 65 cm / 22 x 26 inches

 

 

Are Blytt

Exhibition view, Marie-Laure Fleisch Gallery, Brussels, Belgium, 2019

 

 

Are Blytt

Exhibition view, Marie-Laure Fleisch Gallery, Brussels, Belgium, 2019

 

 

Are Blytt

Are Blytt (right) and Dirk Stewen (left), exhibition view, Marie-Laure Fleisch Gallery, Brussels, Belgium, 2019

 

 

Are Blytt

Are Blytt (right) and Dirk Stewen (left), exhibition view, Marie-Laure Fleisch Gallery, Brussels, Belgium, 2019

 

 

Are Blytt

Obnoxiously, 2019, oil and acrylic paint on linen canvas, aluminium stretcher, 136 x 96 cm / 53,5 x 37,7 inches

 

 

Untitled (Hands), 2018, oil and acrylic paint on linen canvas, archival-print, aluminum stretcher, 200 x 100 cm / 79 x 39 inches

 

 

Are Blytt

Untitled (Hands), detail, 2018

 

 

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

 

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

 

Are Blytt

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

 

Untitled (Figure), 2018, oil and acrylic paint on linen canvas, archival-print, aluminum stretcher, 100 x 200 cm / 39 x 79 inches

 

 

Untitled (Figure), detail, 2018

 

 

Untitled (Nelson), detail, 2018

 

 

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

Are Blytt

Installation view, WIELS Contemporary Art Centre, artist-in-residence, Brussels, Belgium, 2018

 

 

Either / Or, 2018, acrylic paint on linen canvas, 210 x 240 cm / 83 x 94 inches

 

 

Close to the River & The Benefits of Bankruptcy, 2018, acrylic paint on linen canvas, 220 x 214 cm each / 87 x 84 inches each

Kierkegaard, 2017, oil and acrylic on cotton canvas, wooden stretcher, 200 x 130 cm / 79 x 51 inches

 

 

Houellebecq, 2017, oil and acrylic on cotton canvas, wooden stretcher, 200 x 130 cm / 79 x 51 inches

 

 

Skram, 2017, oil and acrylic on cotton canvas, wooden stretcher, 200 x 270 cm / 79 x 106 inches

 

 

Installation view, Galleri K, Oslo, Norway, 2017

 

 

Installation view, Galleri K, Oslo, Norway, 2017

 

 

Are Blytt

Untitled (Merkel), 2017, acrylic paint on linen canvas, archival-print, 200 x 213 cm / 79 x 84 inches

 

 

 

Untitled (Merkel), detail, 2017

 

 

Youth Riot, 2017, oil and acrylic paint on linen canvas, wooden stretcher, 140 x 100 cm / 55 x 39 inches

 

 

Bread and Roses, 2017, oil and acrylic paint  on linen canvas, wooden stretcher, 140 x 100 cm / 55 x 39 inches